Foreign Policy Blogs

Drik Gallery, Crossfire Show Re-opens

The High Court declared today that the provocative Crossfire Exhibition must be allowed to reopen.  Eight days after the politically charged exhibition was shut down by the police deployed to the Drik Gallery,  the High Curts decision now compels the police to withdraw, thereby removing all obstruction to the conduct and proceedings of the exhibition.

Artist, photojournalist and managing director of the Drik Gallery, Shahidul Alam’s own words, quoted by the Times Len’s blog, suggest the import of the court upholding the show against the governments interdiction.

“This is a victory on many fronts. The right of Bangladeshi people to be informed, the rights of artists and media professionals to speak out, and the citizens’ right to protest against injustice, are all important factors, but the fact that the judiciary can stand up to the government gives renewed hope to a people fighting to establish the rule of law. It happened because the nation was united in protest, and that protest against all forms of injustice must continue.” 

But the story reverberates further.  Mr. Alam alleges that crossfire killings have increased since the Awami League government came into office in December 2008.  

The Daily Star piece quotes Mr. Alam:

“Though the government pledged to stop crossfire before and after the elections, it is still occurring which is a matter of worry,” Alam said. He alleged the events of “crossfire” occurring in 2009 are higher than what happened during the army-backed caretaker government in 2008.

“When the exhibition could create such reaction only because of having the name ‘crossfire’, the meaning of the word comes clear.”

If shown to be true, this news could prove to be hauntingly troublesome for it would be a sign that nothing significant has changed in Bangladesh’s politics, and it could signal, through spill-overs effects,  significantly deteriorating conditions of individual and social freedoms.

 

Author

Faheem Haider

Faheem Haider is a political analyst, writer and artist. He holds advanced research degrees in political economy, political theory and the political economy of development from the London School of Economics and Political Science and New York University. He also studied political psychology at Columbia University. During long stints away from his beloved Washington Square Park, he studied peace and conflict resolution and French history and European politics at the American University in Washington DC and the University of Paris, respectively.

Faheem has research expertise in democratic theory and the political economy of democracy in South Asia. In whatever time he has to spare, Faheem paints, writes, and edits his own blog on the photographic image and its relationship to the political narrative of fascist, liberal and progressivist art.

That work and associated writing can be found at the following link: http://blackandwhiteandthings.wordpress.com